翻訳と辞書
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・ Girl Versions
・ Girl vs. Boy
・ Girl vs. Monster
・ Girl Walk//All Day
・ Girl Walks into a Bar
・ Girl Who Got Away
・ Girl Why Don't You
・ Girl with a Flute
・ Girl with a One-Track Mind
・ Girl with a Pearl Earring
・ Girl with a Pearl Earring (disambiguation)
・ Girl with a Pearl Earring (film)
・ Girl with a Pearl Earring (novel)
・ Girl with a Pearl Earring (play)
・ Girl with a Pearl Earring (soundtrack)
Girl with a Red Hat
・ Girl with a Suitcase
・ Girl with an Oar
・ Girl with Ball
・ Girl with Curious Hair
・ Girl with Green Eyes
・ Girl with Grey Eyes
・ Girl with Hyacinths
・ Girl with the Golden Panties
・ Girl with the Most Cake
・ Girl Without a Room
・ Girl You Know It's True
・ Girl You Know It's True (song)
・ Girl$
・ Girl's Africa Volleyball Championship U18


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Girl with a Red Hat : ウィキペディア英語版
Girl with a Red Hat

''Girl with a Red Hat'' is a rather small painting, signed by the Dutch painter Johannes Vermeer. It is seen as one of a number of Vermeer's tronies – depictions of models fancifully dressed that were not (as far as is known) intended to be portraits of specific, identifiable subjects. Other believe it is a portrait. Whether Vermeer chose family members as models or found them elsewhere in Delft is irrelevant to the appreciation of his paintings.〔W. Liedtke (2007) Dutch paintings in the Metropolitan Museum of Art, p. 890.〕 Its attribution to Vermeer – as it is on a (recycled) wood panel and not on canvas – has been a matter of controversy with scholars on both sides of the argument.〔(NGA catalog entry )〕
==Provenance==
The painting, supposed to be executed 1665–1666, may have been among those owned by Vermeer's patron, Pieter Claesz van Ruijven and possibly, through inheritance it may have been passed on to his wife, Maria de Knuijt who died 1681; her daughter, Magdalena van Ruijven; and Magdalena's husband, Jacob Abrahamsz Dissius. It is thought to have been sold on an auction in Amsterdam on May 16, 1696 (probably no. 38, 39 or 40).
It was bought at a sale at the Hôtel de Bouillon, in Paris on December 10, 1822 (no. 28.) by Baron Louis Marie Baptiste Atthalin for 200 French francs. After his death it came to his nephew and adopted son, Laurent Atthalin; by inheritance to Baron Gaston Laurent-Atthelin and by inheritance to his wife, Baroness Laurent-Atthelin. The painting was sold by M. Knoedler & Co., New York and London, in November 1925 to Andrew W. Mellon for $290.000, who deeded it on March 30, 1932 to The A.W. Mellon Educational and Charitable Trust in Pittsburgh (a holding-place for Mellon's pictures while the National Gallery of Art was being established). The trust gave it to the NGA in 1937.
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